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SUMMARY:Sound Fragments: Collaborative Curation with The Black Power Stati
 on - Noel Lobley (University of Virginia)
DTSTART;VALUE=DATE-TIME:20231019T170000
DTEND;VALUE=DATE-TIME:20231019T183000
UID:https://talks.ox.ac.uk/talks/id/cf1c85c7-6428-4b4c-9a2e-8465663266df/
DESCRIPTION:What happens when colonial sound fragments are actively transf
 ormed through the visual arts\, roaring praise poetry\, and Afrofuturistic
  remix culture? What are the possible pathways between the International L
 ibrary of African Music–the world's largest archive of ethnographic musi
 c and sound in Africa–and The Black Power Station\, an independent inter
 -generational arts activist collective in Makhanda\, South Africa? What is
  the solution-oriented work that collaborative sound curation can build? H
 ip Hop Arts Activist Xolile 'X' Madinda\, founder and CEO of The Black Pow
 er Station in Makhanda will be in conversation with Noel Lobley (Music Pro
 fessor and Sound Curator\, University of Virginia). Visit our website for 
 the 1 minute primer.\nSpeakers:\nNoel Lobley (University of Virginia)
LOCATION:St John's College (The Barn\, St John's College)\, St Giles OX1 3
 JP
TZID:Europe/London
URL:https://talks.ox.ac.uk/talks/id/cf1c85c7-6428-4b4c-9a2e-8465663266df/
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DESCRIPTION:Talk:Sound Fragments: Collaborative Curation with The Black Po
 wer Station - Noel Lobley (University of Virginia)
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SUMMARY:Listening to White Supremacy on Trial: Audio Remote Access and the
  Limits of Open Justice - Professor Nomi Dave (University of Virginia)
DTSTART;VALUE=DATE-TIME:20231012T170000
DTEND;VALUE=DATE-TIME:20231012T180000
UID:https://talks.ox.ac.uk/talks/id/933ca19b-1d88-474e-903a-cb26c048b529/
DESCRIPTION:In 2022\, the trial took place of Elizabeth Sines v. Jason Kes
 sler\, in a United States District Court in Virginia. The defendants repre
 sented a who’s who of white supremacists\, neo-Nazis and Christian natio
 nalists in the US\, charged with inflicting violence and intimidation duri
 ng a deadly rally in 2017. While U.S. district courts do not allow cameras
  to broadcast their proceedings\, the public could follow the trial throug
 h an audio remote call-in line. For both the plaintiffs and the defendants
 \, the case – and the call-in line – were means to capture public atte
 ntion and shape the larger narrative.  \n\nSines v. Kessler highlights key
  questions around open justice – or the access that members of the publi
 c have to judicial proceedings – and to what happens when this access is
  mediated through sound. Technologies such as teleconferencing and audio l
 ivestreaming have generated debates and new practices around public access
  to trials. How is legal access premised on listening? What constitutes a 
 fair and public trial? And\, as Sines v. Kessler leads us to ask\, what do
 es it mean – for the law and for ordinary people – to listen in the co
 ntext of white supremacy and hate? In this talk\, I analyze remote listeni
 ng to consider how both the form and the content of audio access to hate c
 omplicate debates around open justice. As I show\, remote audio access at 
 times raises difficult questions about who is listening and who we are lis
 tening to. \nSpeakers:\nProfessor Nomi Dave (University of Virginia)
LOCATION:Faculty of Music (The Barn\, St John's College)\, St Aldate's OX1
  1DB
TZID:Europe/London
URL:https://talks.ox.ac.uk/talks/id/933ca19b-1d88-474e-903a-cb26c048b529/
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ACTION:display
DESCRIPTION:Talk:Listening to White Supremacy on Trial: Audio Remote Acces
 s and the Limits of Open Justice - Professor Nomi Dave (University of Virg
 inia)
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