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SUMMARY:HARD LOVE: masking\, social class\, feminism and exhibition making
 . - Hannah Perry
DTSTART;VALUE=DATE-TIME:20260210T170000Z
DTEND;VALUE=DATE-TIME:20260210T183000Z
UID:https://talks.ox.ac.uk/talks/id/4d8a118e-85a9-48e0-9cfc-cc0edfa487cc/
DESCRIPTION:Artist Hannah Perry weaves a tapestry of influences\, tapping 
 into personal narratives\, collective testimonies\, and cultural touchston
 es to explore the swift pace of our hyper-technological era. Her works inc
 lude expansive sculptures\, painting and immersive audio-visual installati
 ons that seamlessly blend sound\, technology\, dance\, spoken word\, print
 making\, and 360-video. With a spectrum of themes\, Perry highlights femin
 ist socio-political issues embedded in coded industrial materials\, explor
 ing the dynamics of taste\, social class and personal histories. She also 
 examines the nuanced realms of motherhood and erotic discourse and mental 
 health. Moving beyond the personal\, to explore the broader cultural conte
 xt.\nHannah Perry (b.1984\, North West England\, UK) lives and works in Lo
 ndon. She graduated from Goldsmiths College in 2009 and then Royal Academy
  of Arts 2014. Recent exhibitions include: solo show’ Baltic Gallery in 
 Newcastle 2024\, Julia Stoschek Foundation dusseldorf 2024\, NTNT\, cheste
 r contemporary\, Duo show at Galerie Kandlhofer 2023 ‘Liquid Language’
  Arsenal Toronto\, 'A Smashed Window and an Empty Room' at the Kunstverein
  Hamburg\, 'Gush'\, Somerset House\, London and 'Rage Fluids'\, Kuenstlerh
 aus\, Graz\, Austria as well as an exhibition of Artist-in-Residence progr
 amme of the Ural Industrial Biennial of Contemporary Art\, Russia.\nSpeake
 rs:\nHannah Perry
LOCATION:128 Bullingdon Road (Ruskin School of Art (East Oxford site) Acce
 ssibility info: https://www.accessguide.ox.ac.uk/128-bullingdon-road)\, 12
 8 Bullingdon Road OX4 1QP
TZID:Europe/London
URL:https://talks.ox.ac.uk/talks/id/4d8a118e-85a9-48e0-9cfc-cc0edfa487cc/
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DESCRIPTION:Talk:HARD LOVE: masking\, social class\, feminism and exhibiti
 on making. - Hannah Perry
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