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SUMMARY:‘En remirant oy chanter: Intermediality in late-medieval song’
  - Pedro Memelsdorff (Utrecht University\, Fondazione Giorgio Cini)
DTSTART;VALUE=DATE-TIME:20161027T170000
DTEND;VALUE=DATE-TIME:20161027T190000
UID:https://talks.ox.ac.uk/talks/id/61a2a793-c201-4848-ad25-9c635f28ebd5/
DESCRIPTION:The paper focusses on some devices used in Trecento and early 
 Quattrocento music aimed at broadening either familiarity or estrangement 
 between the music and its contemporary users. The analysis of several -- w
 ell-known -- cases of enture or musical grafting suggests that they have b
 een purposely used not only as inter- and paratextual but sometimes also a
 s intermedial devices that strongly connote the hosting pieces. The repert
 oire discussed includes works by Filippotto da Caserta\, Antonio Zacara da
  Teramo\, Matteo da Perugia and Johannes Ciconia. Main topics are citation
 \, allusion\, expectation\, torso\, paratext\, intertextuality\, intermedi
 ality\, nachares\, hocket\, and -- more generally -- late-medieval rhetori
 c and implicit art-theory.\nSpeakers:\nPedro Memelsdorff (Utrecht Universi
 ty\, Fondazione Giorgio Cini)
LOCATION:All Souls College (Wharton Room)\, High Street OX1 4AL
TZID:Europe/London
URL:https://talks.ox.ac.uk/talks/id/61a2a793-c201-4848-ad25-9c635f28ebd5/
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DESCRIPTION:Talk:‘En remirant oy chanter: Intermediality in late-medieva
 l song’ - Pedro Memelsdorff (Utrecht University\, Fondazione Giorgio Cin
 i)
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