On 28th November OxTalks will move to the new Halo platform and will become 'Oxford Events' (full details are available on the Staff Gateway).
There will be an OxTalks freeze beginning on Friday 14th November. This means you will need to publish any of your known events to OxTalks by then as there will be no facility to publish or edit events in that fortnight. During the freeze, all events will be migrated to the new Oxford Events site. It will still be possible to view events on OxTalks during this time.
If you have any questions, please contact halo@digital.ox.ac.uk
‘Nigeria witnessed its first military coup in 1966, a civil war (1967-70), oil boom in the 1970s. In the 1980s, General Ibrahim Babangida, the smiling, brutal dictator, enforced Structural Adjustment, raised corruption to statecraft and impoverished the citizenry. In that same decade, the painter and poet Obiora Udechukwu (b. 1946), a leading figure of the Nsukka School, was at the height of his powers, with drawings and paintings celebrated for their lyrical power and trenchant social commentary. I consider the fate of art and the broader critical culture during the long decade, in the shadow of the military regimes.’
