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One of the reasons we are moved to look at paintings is that they are expressive of deep and often complex emotions. But philosophers have found this puzzling – works of art do not, literally, possess psychologies, so how do they acquire their expressive properties? Richard Wollheim’s answer to this puzzle is to posit that the artist projects her mental states on to her artwork, and we, the spectator, in turn ‘read off’ the projected mental states from the painting. In this talk, I’ll explore Wollheim’s account of expressiveness in art, with a nod to the ways in which physicality can capture some of our deepest feelings that we may struggle to express in language.
