On 28th November OxTalks will move to the new Halo platform and will become 'Oxford Events' (full details are available on the Staff Gateway).
There will be an OxTalks freeze beginning on Friday 14th November. This means you will need to publish any of your known events to OxTalks by then as there will be no facility to publish or edit events in that fortnight. During the freeze, all events will be migrated to the new Oxford Events site. It will still be possible to view events on OxTalks during this time.
If you have any questions, please contact halo@digital.ox.ac.uk
Despite the alignment of much Chicanx art with conceptualism and neo-conceptualism, US artists of Mexican American descent have been systematically excluded from mainstream histories of these art movements. Employing Counter-Storytelling, a methodology from Critical Race Theory, as well as the concept of implicit censorship, this lecture reorients the history of conceptualism from the viewpoint of the Chicano civil rights movement. How have Chicanx artists, from the 1960s to today, responded to their exclusion? How can counter storytelling help reveal artistic responses to censorship?
