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'Mouthpieces'
In the Mouthpieces, the voice is used as an instrument of sound production rather than as a vehicle of identity. Linguistic meaning is not the voice’s goal.
The construction of the vocal text is often based on linguistic structure—vowel-consonant formation and the principle of the allophone—and is relatively quiet, with a high percentage of breath.
The Mouthpieces presuppose a state of listening. They engage physiology rather than psychology.
The construction of the vocal text is relatively quiet, (thus needing amplification): “lightness, and merging, about formlessness.”
The Mouthpieces presuppose a state of listening. They engage physiology rather than psychology. The construction of the vocal text is relatively quiet, (thus needing amplification) with a high percentage of breath: “lightness, and merging, about formlessness.“
Date:
18 November 2024, 16:00
Venue:
Faculty of Music, St Aldate's OX1 1DB
Venue Details:
Online
Speaker:
Erin Gee
Organising department:
Faculty of Music
Organisers:
Professor Martyn Harry (University of Oxford),
Professor Jennifer Walshe (University of Oxford)
Organiser contact email address:
events@music.ox.ac.uk
Part of:
<speaks>
Booking required?:
Required
Booking url:
https://www.music.ox.ac.uk/event/speaks-with-erin-gee
Cost:
Free
Audience:
Public
Editor:
Laura Howorth
