Why the Russian constitution matters: the dark arts of constitutional law
Professor Partlett’s forthcoming book challenges the conventional view that Russia’s Constitution is a sham. It will show instead that this constitution is a critical foundation of Russian authoritarianism today that carries important broader lessons for the world.
In the ruins of the Soviet Union, President Boris Yeltsin—with the full backing of the West—dabbled in the ‘dark arts’ of constitutional law by centralising vast constitutional power in the office of the president in the 1993 Russian Constitution. This presidential centralisation was justified as necessary to ensure stability while being limited by extensive constitutional rights guarantees. President Vladimir Putin has since disregarded these rights provisions and fully exploited this centralised authority to rebuild Russian authoritarianism.
The Russian experience helps us better understand the dark arts of constitutional law, an understudied practice in which written constitutions are used to build a centralised state. This practice is grounded on a long normative tradition—dating back to Thomas Hobbes—arguing that centralisation is the best way to overcome civil war and achieve the common good. This practice underpins the rise of authoritarian populism around the world today. It also is increasingly infiltrating established democracies, posing a critical internal threat to democratic governance.
William Partlett is an Associate Professor at Melbourne Law School. He writes and teaches in the field of public law.
Date:
27 November 2023, 13:00 (Monday, 8th week, Michaelmas 2023)
Venue:
St Antony's College, 62 Woodstock Road OX2 6JF
Venue Details:
Pavilion Room
Speaker:
Professor William Partlett (University of Melbourne)
Organising department:
Russian and Eurasian Studies Centre
Organisers:
Dr Zbigniew Wojnowski (St Antony's College),
Dr Marnie Howlett (DPIR, University of Oxford)
Organiser contact email address:
richard.ramage@sant.ox.ac.uk
Booking required?:
Not required
Audience:
Public
Editor:
Richard Ramage
