Wednesday 16 November 2022 (6th Week, Michaelmas Term)

• 16:30 - Analysing arrangement: four versions of Mahler’s early songs
  Available to watch on YouTube: https://www.youtube.com/watch?v=I1VoKLwTRyc
  Dr Frankie Perry (Independent Scholar)
  Oxford Seminar in Music Theory & Analysis (OSiMTA)

Wednesday 16 November 2022 (6th Week, Michaelmas Term)

• 16:30 - Analysing arrangement: four versions of Mahler’s early songs
  Available to watch on YouTube: https://www.youtube.com/watch?v=I1VoKLwTRyc
  Dr Frankie Perry (Independent Scholar)
  Oxford Seminar in Music Theory & Analysis (OSiMTA)

Wednesday 18 January 2023 (1st Week, Hilary Term)

• 16:30 - Forensic musicology in commercial popular music: ontologies and epistemologies
  Available to watch live via our YouTube channel
  Professor Joe Bennett (Berklee College, Boston)
  Oxford Seminar in Music Theory & Analysis (OSiMTA)

Wednesday 17 May 2023 (4th Week, Trinity Term)

• 16:30 - The Oxford Seminar in Music Theory and Analysis: AI, neural networks and style appropriation
  Free to attend, no registration required. Please visit our website to join the Zoom meeting
  Professor Jennifer Walshe (University of Oxford), CJ Carr (Stability AI), Christine McLeavey (OpenAI)
  Oxford Seminar in Music Theory & Analysis (OSiMTA)

Tuesday 24 October 2023 (3rd Week, Michaelmas Term)

• 17:15 - Spectra and structures: navigating compositional latent spaces in chamber and orchestral music
  Dr Robert Laidlow (University of Oxford)
  Oxford Seminar in Music Theory & Analysis (OSiMTA)

Tuesday 21 November 2023 (7th Week, Michaelmas Term)

• 17:15 - Teaching timbre
  Dr Megan Lavengood (George Mason University)
  Oxford Seminar in Music Theory & Analysis (OSiMTA)

Tuesday 30 April 2024 (2nd Week, Trinity Term)

• 17:15 - ‘Between silence and sound: finding voices for French songs, 1100-1300’
  Professor Emma Dillon (King's College London)
  The Oxford Seminar in Music Theory and Analysis

Tuesday 14 May 2024 (4th Week, Trinity Term)

• 17:15 - ‘Timbral segmentation and association in two works by Rebecca Saunders’
  Professor Robert Hasegawa (McGill University)
  The Oxford Seminar in Music Theory and Analysis