On 28th November OxTalks will move to the new Halo platform and will become 'Oxford Events' (full details are available on the Staff Gateway).
There will be an OxTalks freeze beginning on Friday 14th November. This means you will need to publish any of your known events to OxTalks by then as there will be no facility to publish or edit events in that fortnight. During the freeze, all events will be migrated to the new Oxford Events site. It will still be possible to view events on OxTalks during this time.
If you have any questions, please contact halo@digital.ox.ac.uk
The New Yorker has described Adam Phillips as ‘Britain’s foremost psychoanalytic writer’, and John Banville has praised him as ‘one of the finest prose stylists at work in the language, an Emerson of our time.’ He has been a regular writer for The London Review of Books, the Observer, and the New York Times for many years, and is the author of several books, including On Kissing, Tickling and Being Bored (1994), On Flirtation (1995), The Beast in the Nursery (1998), Darwin’s Worms (1999), Houdini’s Box (2001), Going Sane (2005), Side Effects (2006), On Balance (2010), Missing Out (2012), and Becoming Freud (2014).
‘The Poet’s Essay’ seminars take place three times a year. Each seminar lasts around one and a half to two hours. The series is free and open to all who wish to attend. There are no sign-up lists or reserved places, although there will be a small amount of required reading in advance of each seminar. Seminars focus primarily on American poetry of the twentieth century. A few weeks before each seminar, a handout will be made available via a downloadable link on this page, and at the meeting Phillips will introduce the material and lead the discussion.
www.keble.ox.ac.uk/teaching-research/poetry-at-keble/the-poets-essay
