Oxford Events, the new replacement for OxTalks, will launch on 16th March. From now until the launch of Oxford Events, new events cannot be published or edited on OxTalks while all existing records are migrated to the new platform. The existing OxTalks site will remain available to view during this period.
From 16th, Oxford Events will launch on a new website: events.ox.ac.uk, and event submissions will resume. You will need a Halo login to submit events. Full details are available on the Staff Gateway.
Guillaume de Machaut and his manuscripts have been the subject of much recent scholarship, with each investigation yielding new and often surprising information. This paper presents some of the results of my continuing study of the Machaut manuscript F-G (Paris, Bibliothèque Nationale de France, f. fr. 22545-6). I will trace aspects of its history from creation, illumination and damage, through original ownership, scandal and politics, to its 18th century ‘rediscovery’, evidence of early performance, and its role in shaping more general attitudes towards Machaut and his music. Each step of the way enriches our understanding of the circulation and meaning of Machaut materials, their relationship with the author and their use. Following the dramatic ups and downs in this source’s history teaches us not only about Machaut, but also about culture in general and ourselves as historian.
