Oxford Events, the new replacement for OxTalks, will launch on 16th March. From now until the launch of Oxford Events, new events cannot be published or edited on OxTalks while all existing records are migrated to the new platform. The existing OxTalks site will remain available to view during this period.
From 16th, Oxford Events will launch on a new website: events.ox.ac.uk, and event submissions will resume. You will need a Halo login to submit events. Full details are available on the Staff Gateway.
In the Mouthpieces, the voice is used as an instrument of sound production rather than as a vehicle of identity. Linguistic meaning is not the voice’s goal.
The construction of the vocal text is often based on linguistic structure—vowel-consonant formation and the principle of the allophone—and is relatively quiet, with a high percentage of breath.
The Mouthpieces presuppose a state of listening. They engage physiology rather than psychology.
The construction of the vocal text is relatively quiet, (thus needing amplification): “lightness, and merging, about formlessness.”
The Mouthpieces presuppose a state of listening. They engage physiology rather than psychology. The construction of the vocal text is relatively quiet, (thus needing amplification) with a high percentage of breath: “lightness, and merging, about formlessness.“
