OxTalks will soon move to the new Halo platform and will become 'Oxford Events.' There will be a need for an OxTalks freeze. This was previously planned for Friday 14th November – a new date will be shared as soon as it is available (full details will be available on the Staff Gateway).
In the meantime, the OxTalks site will remain active and events will continue to be published.
If staff have any questions about the Oxford Events launch, please contact halo@digital.ox.ac.uk
In the Mouthpieces, the voice is used as an instrument of sound production rather than as a vehicle of identity. Linguistic meaning is not the voice’s goal.
The construction of the vocal text is often based on linguistic structure—vowel-consonant formation and the principle of the allophone—and is relatively quiet, with a high percentage of breath.
The Mouthpieces presuppose a state of listening. They engage physiology rather than psychology.
The construction of the vocal text is relatively quiet, (thus needing amplification): “lightness, and merging, about formlessness.”
The Mouthpieces presuppose a state of listening. They engage physiology rather than psychology. The construction of the vocal text is relatively quiet, (thus needing amplification) with a high percentage of breath: “lightness, and merging, about formlessness.“
