• Type: Seminar Series
• Series organiser: Margaret Bent
• Timing: Thursdays at 5pm
• Organising department: Faculty of Music

Thursday 28 January 2016

• 17:00 - 'The Cinderella of Complete Elizabethan Partbooks Sets: A New Look at the Hamond Partbooks (GB-Lbl: Add. MSS 30480-4)'
  Katherine Butler (Oxford)

Thursday 11 February 2016

• 17:00 - ‘The music for the early 15th-century English carol: dates and origins’
  David Fallows (University of Manchester (emeritus))

Thursday 25 February 2016

• 17:00 - 'Philippe de Vitry at Meaux’
  Andrew Wathey (University of Northumbria)

Thursday 10 March 2016

• 17:00 - ‘Medieval psalters as witnesses to liturgical song: the Iberian case’
  Emma Hornby (University of Bristol)

Thursday 20 October 2016

• 17:00 - ‘Motets in England in and around the Old Hall manuscript’
  Margaret Bent (Oxford)

Thursday 27 October 2016

• 17:00 - ‘En remirant oy chanter: Intermediality in late-medieval song’
  Pedro Memelsdorff (Utrecht University, Fondazione Giorgio Cini)

Thursday 10 November 2016

• 17:00 - 'A Fifteenth-Century Rock Star: Pietrobono dal Chitarino and his Repertory'.
  Bonnie Blackburn (Oxford)

Thursday 17 November 2016

• 17:00 - ‘Je ne fais toujours que penser: Analyzing Binchois’ songs’
  Felix Diergarten (Hochschule für Musik, Freiburg)

Thursday 1 December 2016

• 17:00 - ‘Polyphonic Music and Royal Liturgy in Thirteenth-Century Castile’
  David Catalunya (University of Würzburg)

Thursday 26 January 2017

• 17:00 - From broken heart to divided song: divisio at the intersection of poetry and music in the Due- and Trecento
  Mikhail Lopatin (University of Oxford)

Thursday 9 February 2017

• 17:00 - The Mendicants and the Motet
  Christian Thomas Leitmeir (Magdalen College)

Thursday 23 February 2017

• 17:00 - Drugs, Sex, Medieval Cultural Politics and the Learned Musicians of 18th Century Paris: Surviving the Centuries as a Machaut Manuscript
  Uri Smilansky (King's College London)

Thursday 9 March 2017

• 17:00 - The Dominican Missal in the Thirteenth Century’
  Eleanor Giraud (University of Limerick)

Thursday 19 October 2017

• 17:00 - "Usuall Musicke". Singing upon the book in the Renaissance
  Philippe Canguilhem (University of Toulouse)

Thursday 2 November 2017

• 17:00 - Models of exemplarity: towards an understanding of Tinctoris’s musical examples
  Adam Whittaker (Birmingham City University)

Thursday 16 November 2017

• 17:00 - Sweetly divided': Analytical propositions and problems for the thirteenth-century jeu-parti
  Joseph Mason (University of Oxford)

Thursday 30 November 2017

• 17:00 - Revisiting the tradition of late-medieval Florentine song: shedding multispectral light on Trecento music
  Andreas Janke (University of Hamburg)

Thursday 25 January 2018

• 17:00 - Music and the Staging of Princely Power in Late Medieval France
  Yolanda Plumley (University of Exeter)

Thursday 8 February 2018

• 17:00 - The making and re-making of the Sadler partbooks: GB-Ob MSS Mus. e. 1–5
  James Burke (University of Cambridge)

Thursday 22 February 2018

• 17:00 - Music, Pleasure and the Intertextual Arts in the Long Thirteenth Century
  Mark Everist (University of Southampton)

Thursday 8 March 2018

• 17:00 - The Koblenz fragments: fourteenth-century motets, the Carmelite order, and fifteenth-century church reform
  Karl Kügle (University of Oxford and University of Utrecht)

Thursday 18 October 2018

• 17:00 - ‘HERA Project SoundMe - Polish Academy of Sciences, Warsaw: ‘Musical past and regionalism in early modern Silesia: the hymnbook of Valentin Triller’
  Antonio Chemotti

Thursday 1 November 2018

• 17:00 - ‘The motets of Douce 308: evidence for a more extensive monophonic tradition?’
  Elizabeth Eva Leach (University of Oxford)

Thursday 15 November 2018

• 17:00 - ‘The contents and provenance of the fragmentary royal choirbook of the 1420s: an update’
  Margaret Bent (All Souls College)

Tuesday 27 November 2018

• 17:00 - ‘The non-Italian Ars nova, or how to read the madrigal Povero Zappator by Lorenzo da Firenze’
  Elena Abramov van Rijk (Jerusalem)